Six in the Chamber is the Wild West movie I never made—a love letter to genre icons like A Fistful of Dollars and Django Unchained. I wanted it to feel like a non-stop action film, with punchy sound design, dramatic cinematics, and bold level design. One playtester summed up the final level best: “It was a real thrill—can it be longer?”

It was also a major technical milestone for me—my first time using Behaviour Trees and writing a custom collision system. Even returning systems saw thoughtful upgrades, like a revamped dialogue system (initially implemented in An Island Life) that improves readability by fading in each letter instead of building strings character by character to avoid line-jumping.